The most common alternative to adventure style LARP is what I call "Elysium Style" (E.S.) LARP. I named it after the setting in Vampire: the Masquerade where all the politics happen. E.S. is essentially player vs. player gaming, where the players conspire against one another in order to move a social objective in their direction, what I call "the football." There tends to be one football -- who's in charge -- but you can add other social agendas if you're smart about it (and you should). That said, let's talk about the very basic qualities Adventure style LARP.
1. Adventure style takes over.
When the infernal forces of Satan are threatening the end of the world, it's natural to prioritize dealing with that over petty crap like "who gets to be in charge." A guy who helped you save the world is a good guy, especially if a moment's hesitation on his part could have put you in the grave. This brotherhood forged in battle is stronger than any political alliance where you're not sure if your "friend" is just using you. And there's a cognitive dissonance that makes it mutual: "I could have let him get killed by that werewolf, but I didn't."
Worse, often the danger or opportunity presented by adventure scenes far outstrips the danger of political inaction or opportunity of political scheming. By going on adventure scenes in Vampire you collect boons, influence, the attention of NPCs, status (for your glory), get authorized to diablerize bad guys, and sometimes get cool equipment. If you stay at Elysium and scheme for power, the most you get is status and city position, which, unless you use it to get you onto more adventures, is useless. It's a terminal achievement.
This isn't bad, if it's intentional. In fact, it can be great. Adventure style is a very effective LARP style, even for Vampire games. But you have to use it intentionally. If you throw adventure scenes into your E.S. game, you should only do it to drive a wedge between factions or put a football in play (more on E.S. games in a later post).
2. Adventure style requires cast and space.
Let's imagine the oh-so-common "raid on the sabbat safehouse" scene done poorly. The GM takes a eight players into the corner and basically runs a tabletop game standing up. The system sucks, so it grinds in combat. An hour later, they're done, and they discover all the other seven players sitting around making dick and fart jokes or playing Angry Birds. If you ran a D&D game with an exploration scene and a battle, it would take an hour to an hour or two. Why do Vampire GMs think their side tabletop scenes will go any faster?
Now let's imagine this done well. The GM taps the other seven players to cast the scene for him. The eight adventurers have to go down the block to the Starbucks and wait until he's ready. He hands out character sheets, opens his costume box, and lets them put on stuff to look different from their regular characters. Then he takes three of them into the alley, tells them to read their sheets and prepare to repel invaders and try to warn their packmates inside. Then he takes the other four and positions them inside the game site building. He takes some black cloth and electric candles out of his prop box and dresses a set like a sabbat den, and then places a few clue props around the room he had made in preparation for the scene, so that the PCs would have a lead toward the next steps on the storyline. Then he goes to the adventurers and starts the scene...
There are a lot of ways to get cast for a scene. The way I mentioned above is the most crude -- tap the players not on the scene. But you have to take them all or have a narrator give the remainder their own cool scene. And players feel it's unfair if they get cast a lot and don't go on as many adventures. An alternative is to let players sort into never cast, sometimes cast, and always cast, with the best cast roles going to the always cast players, and tangible rewards going to the sometimes cast players (reduced game fee, bonus XP, etc.). Alternatively, you can start a game and organize it so that all players have a minimum number of hours of cast commitment, which they agree to when they join the game. And there are so many other ideas!
You can also see space could be an issue as well. That scene required a single room and alley; but to run two adventure scenes or an adventure and NPC scene at the same time, you need two distinct rooms. More players dramatically expands the space required. Luckily more players is more money.
3. Adventure style takes a lot less finesse.
Let's face it, adventures are a lot more straightforward, and you, the GM, control all the hooks and plots. You don't have to manipulate your players into character conflict. E.S. takes a lot of finesse. You need to know the players pretty well, or get to know them, so you can keep them in conflict.
In an E.S. game you have to keep the footballs in play. You don't want someone carrying one to the end zone and sitting on it with a line of all-star defenders blocking for him. And you don't want the ball to go out of bounds and disappear, leaving the players wandering around waiting for the whistle.
What I mean is, you have to keep driving wedges between the players and creating situations where they have no choice but to advance their position or fall back. You can't let them entrench and you can't let them forget what they care about. Sometimes you'll even lie to them about each other.
You also need multiple footballs and multiple fields. It's the difference between Checkers and Chinese Checkers. If the only football is "who's prince" then you've got just one axis of competition, and it resolves to a few competitors and their allies. A lot of players may not even care about it because they didn't make prince-material characters. You need a football for every kind of story you want to tell, with (at least) two end zones for players to advance toward. And you need to make sure the players know what your footballs are, and make sure they make characters that care about at least one of them; and have opinions on the rest.
Finally, an Adventure Style game can be run with any mix of players as long as there are enough. In an E.S. game, your game is shot if half of one faction doesn't show up. The football (opposing factions in this case) isn't even in play. In an Adventure Style game, as long as you get approximately the right number of players, they can have any characters and it almost doesn't matter (unless you prepared plot hooks for a specific character and for some reason didn't get him to RSVP!).
4. Adventure style takes a lot more work.
On the other hand, E.S. games often take care of themselves. The clues, stats of the antagonists, and people to play them? That's all done by the players, in that they're each others' antagonists. You don't need as much costuming because the same players always play the same characters and the players costume themselves. You don't need to write challenges and adventure scenes or run combats with NPCs or wrangle cast.
Adventure style requires you to fill your game time with adventure, and pretty quickly the players come to depend on it. You can run a sub-game of rivalry or "who's in charge" in an adventure style LARP. but it's not going to be the "A" plot of the night. It'll be a neat subtext that gives your game flavor.
Adventure Style GMs have done all kinds of math about how much plot you need per player/hour of game. I'm no expert on it, and I've often failed at it. But I'm one of the few people I know who's run Friday night Adventure style games, so I'll give my two cents on what I think the ideal is (an ideal that I never reached, but mostly out of lack of awareness and competence, not because it's hard to do).
For a 20-player (average attendance) Friday night (7:30pm-11:30pm) game, you want two 60-90 minute adventure scenes (say, at 8:45pm and 10:45pm). You'll want 1-5 cast for those scenes. During each scene, you need a narrator to run a second scene with the remaining players (who aren't cast) and some people to cast for their scenes. That's four 60-90 minute adventure scenes in two breakout time slots for 20 players in 4 hours.
Nice advice. The bit about how Elysium Style and Adventure Style adventures being on opposing sides of the same spectrum. Throw in adventures and you boost solidarity between factions. The fact that Adventures give you more immediate payoff is also a good point. Something to think about.ReplyDelete
Some examples of a few of your Adventure Style sessions wouldn't go astray... *hint, hint*ReplyDelete
I could provide some adventure style SCENES but not a whole event. It would take up its own dropbox account just to host it. Even a short and small adventure style game, say 4.5 hours x 20 players would have something like two scene slots each with two tracks, each with 6-7 players and a floor GM plus bluesheets for a half dozen cast NPCs each scene slot. That's a session premise, handouts, props, four 60-90 minute scenarios, and 12 NPC bluesheets plus additional items for the intermission and denouement.Delete
Here's a totally invented short (4.5 hour) small (20 player) adventure LARP session design:
Game Time: Saturday 1p-5:30p
Site: Urban meeting space, 1 large room, 1 small side-room.
1p-2p: Setup: Investigators get BGA results showing where Kandinsky's office is and that he's leaving to meet a mysterious contact. Team will split three ways. Magic PCs will continue investigating the botched summoning with a seance for one of the victim/participants, street team will stay on Kandinsky and hopefully tail his contact, and investigators will break into Kandinsky's office while he's out to find more information on the artifact smuggling trade.
2p-3p: 60 minute slot
Track 1: "Seance" Magic/occult PCs (A, B, C, D, E, plus 1-2 others), 2 cast play NPCs (F, G). Objective: "Can you learn what went wrong at the Great Summoning by contacting the spirit of Professor Andropov? Are you prepared in case the seance goes wrong?" Gamespace: Small room or large room, whichever fits best. Props: Candles, Occult junk.
Track 2: "Surveillance" Action/combat PCs (H, I, J, K, L, M, 1 other; but not N, O, P, Q, F, or G). 4 cast play NPCs (N, O, P, Q). Objective: "Can the team maintain surveillance on Kandinsky without spooking him until he makes it to his meet with his contact? What can the team learn by tailing his contact?" Game Space: Guerilla LARP in public; crowded streets; Starbucks; metro.
Intermission: Combat/Action PCs pulled out for 30 minute break (may be needed for walk back from prev. scene). Investigators trickle in and learn results of the seance, then head out to their investigation.
Slot 2: 3:30p-5p
Track 1: "Quick Search" Investigative PCs (N, O, P, Q, F, G, plus 1 other). 1 cast plays NPC (A). Objective: "While Kandinsky is at the meet, what can the investigators learn about the artifact smuggling operation by searching his office?" Game Space: Small room; preferably set up as an office. Props: Laptop (login account prepped for game with pw and files); lots and lots of irrelevant officey paper and junk, clue files, clue photos.
Track 2: "Romanof" Action/Combat PCs (H, I, J, K, L, M, 1 other). All other cast play NPCs. Objective: "It turns out Romanof is possessed by a devil when he leads the street team into an ambush in a blind alley. Can the team overcome their attackers without killing Romanof or letting him get away, so that they can bring him back for exorcism and interrogation?" Game Space: Starts in the alley behind game site, moves into the large room in game space as Romanof flees. Props: Devil masks for cast for the spirits that arise to attack the street team.
Denoument: Teams return to "base" to debrief with each other. They should have Romanof prisoner (bound and unconscious so no need for a cast NPC - Romanof will not be interrogated until next session) and need to determine how they, as a group, will treat prisoners, what limits on interrogation, etc. Game space: Reset large and small room to "home base" set dressing. Props: Interrogation stuff spanning the gamut from ethical to abu ghraib. Rope, handcuffs, hoodwink, plyers, jumper cables, water pail. Hopefully PCs will agree not to use horrible methods, but if they do, there's probably a morality system to get involved next game.
That was longer than I had planned. That's what the FRAMEWORK for a fully plotted adventure style LARP would look like. Note that no scene happens in the "theater of the mind" and nothing requires props that most troupes can't get hold of cheap and quick. Nor does it require a large game space. More players = need more tracks = need more game space of course. But more players = more budget = can afford more game space, so there's that!
Maybe I should edit that and make it Friday's post...Delete